![]() ![]() But the line-up built a classic anthem from that spare groove, with Mercury so enthused that “he sang until his throat bled.” When “Another One Bites The Dust” was released as a single in August 1980 – at the suggestion of Michael Jackson – it became Queen’s biggest hit of the decade. I could hear it as a song for dancing but had no idea it would become as big as it did.”īrian May recalls that Deacon was “totally in his own world and came up with this thing, which was nothing like what we were doing”. ![]() “I’d been wanting to do a track like “Another One Bites The Dust for a while,” but originally all I had was the line and the bass riff. “I listened to a lot of soul music when I was in school and I’ve always been interested in that sort of music,” Deacon told Bassist & Bass Techniques. When John Deacon first presented his iconic bassline at Munich’s Musicland Studios, it was deceptively simple: just three notes played on a single string, but already pulsing with potential. Nowhere is Queen’s free-form approach to performance better demonstrated than in this week’s archive footage from the first of their two magical nights at Wembley Stadium in July 1986, in which the band settle into an impromptu groove of fan-favourite single “Another One Bites The Dust,” allowing Freddie Mercury to demonstrate his mastery at playing with a crowd.
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